A Jazzman’s Blues (2022) Movie Review – A sombre romantic drama infused with a jazzy soundtrack

A sombre romantic drama infused with a jazzy soundtrack

A Jazzman’s Blues is a romantic period drama movie on Netflix, centering on the forbidden romance between Bayou and Leanne who are best friends. Magic happens as soon as they cross paths, however the latter’s mom forbids their union and forcefully takes Leanne with her to Boston.

Leanne ends up wedding another guy and is currently passing as a Caucasian woman, whereas Bayou has become a well-known performer. Leanne relocates to her husband John’s home, where the former lovers’ paths cross once more and their childhood chemistry is rekindled after their unplanned split.

As soon as Leanne’s mom Ethel learns of their bond, she makes every effort to break them up, which ultimately pushes Bayou to move to Chicago. He is recruited as a performer by the renowned Capitol Royale. Bayou eventually establishes himself as Chicago’s voice and releases a song in memory of his former girlfriend, Leanne.

Throughout the movie, Bayou is cautioned not to continue pursuing Leanne by those surrounding him. Both of them were warned that matters could get out of hand if anyone learned about them, particularly for Bayou. Nevertheless, despite the challenges they encounter because of the racist community, the star-crossed lovers make every effort to reconcile. Even after Bayou fled Hopewell County, Leanne is adamant about starting a life with him, and they agree to flee together. Sadly, the couple’s past holds some devious mysteries that could permanently destroy their bond.

Written and-directed by Tyler Perry, this drama explores a variety of critical and sensitive topics, including racial prejudice and forbidden romance. The movie demonstrates that Perry has become a proficient filmmaker. The articulating device here is reflective of a John Grisham novel which is set in the not-so-distant past.

The movie adopts the tenor and style of a period drama within a rural setting, which helps give this one far more authenticity.

Perry’s storyline hits numerous notes, and indeed the direction retains a comfortable but frequently stressful tone. Additionally, it makes many insightful observations about the psychology of racial prejudice. It is genuinely startling to watch Leanne vilify a darker-skinned domestic while leading the life of a Caucasian woman.

The storyline’s star-crossed duo are trapped in a cycle of American racism, and their reality is characterized by a desire to relocate. Fleeing is a romantic idea, and this movie’s storyline definitely has a softer side to it. However, beneath the surface there is a sincere frustration about the outright pointlessness of the hatred that has marked our past. This anger is reflected in the movie’s vibrant score by Aaron Zigman as well as Brett Pawlak’s almost dreamlike cinematography.

Although the interpersonal conflicts are analyzed, they do not deviate too much from the filmmaker’s earlier works. Moreover, they exhibit political shortsightedness and cluttered dialogue which is pretty standard of Perry’s screen-work. Nevertheless, these flaws do not detract from the significant substance of the discourse showcased in the movie. Perry successfully evokes a feeling of longing for what these completely fictitious lovers could have become in a less demeaning world thanks to the central romance’s tragic disposition and graceful execution.

Bayou, the protagonist in the movie has a beautiful voice and makes excellent use of it when the chance presents itself. As a result, music plays a significant role in the narrative, with each song providing an emotional expression to the protagonist, especially during challenging times. The movie has a fantastic soundtrack, which fits the movie’s compelling jazz theme.

Jazz was consistently in Tyler Perry’s imagination as he began to pen the movie. He explained how tunes evolved into a powerful storytelling tool by saying “In moments of sadness, there was always music; and moments of great happenings, there was always music and laughter and joy”. As a result, the movie features a vibrant musical score that will lift your spirits, all delivered in Boone’s gorgeous voice.

Willie Earl, the antagonist in the movie is given a compelling backstory too. His hatred for his brother is explained plausibly, though it is not one that most people would agree with. We can comprehend his motivation for plotting against his brother. As a minor gripe, the antagonist could have been made more sympathetic if this aspect had been explored a little more.

In comparison to Perry’s earlier movies, this one is less melodramatic but the entire cast intensify a fairly simple content, complete with endearing musical interludes that bring some contentment to this inevitably tragic story. As a whole, A Jazzman’s Blues is a great movie for enthusiasts of forbidden romance.


Read More: A Jazzman’s Blue Ending Explained

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  • Verdict - 7.5/10

5 thoughts on “A Jazzman’s Blues (2022) Movie Review – A sombre romantic drama infused with a jazzy soundtrack”

  1. Lighten up people… it’s a movie. But you get the concept I’m sure. Look at Halsey, she has a Black father who people try to make 75 percent other races so they can justify her whiteness.

  2. Bayou’s brother also looked to be mixed, so for people who says Bayou’s son realistically would not be able to pass is untrue. You would have to count grand parents on all sides including greats and great,greats. Our features and skin color is not only depended on our parents, we have to also consider our parent’s parents and further down the line.

  3. ⭐️ ⭐️⭐️⭐️⭐️ Tyler Perry’s Best movie yet! Definitely Oscar worthy! I watched this movie three times in one week just to make sure I didn’t miss anything. The more I watched it the more clear it was.. A powerful movie based on truth in the south even to date.. It’s very sad even in 2022 we still live in a country of racism, hate, greed, and jealousy. Unfortunately we still have a long way to go..

  4. I agree with Doubtful. The thing that annoyed me the most was that I highly doubt there would be any way that a lighter skinned “negro” and a dark skinned “negro” would possibly have a child that was light enough, or didn’t have the features of his father enough to tell he wasn’t white. It was too unrealistic. Also at the end, how is the old woman supposed to be Bayous mother when she looks the same age as Leanne? I also thought it seemed a bit strange that the end was meant to be set i the 80s but they all still looked like they were dressed for the 50’s?

  5. Lots of holes. When black people passed for white, they didn’t return to the south or communicate with black folks who knew their secret. When black men fled the south in fear for their life, they didn’t send letters to momma detailing their location and plans and they certainly didn’t return to the town where the white mob wanted to kill them a year later. And a dark skinned man and a woman light enough to pass would not likely have yielded a child …light enough to pass. Beautiful sets, costumes and acting but story simply not consistent with reality.

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